CONSIDERATIONS RELATED TO SOME WORDS FROM THE POINT OF VIEW OF MEANING, WEIGHT AND ARTISTRY

Abstract

The article examines the issue of author's editing in Alisher Navoi's ghazals on the example of "G’aroyib us-sig'ar" (“Wonders of cildhood”) "Debocha" (“Inception”) and discusses the poet's editing of ghazals (one type of poetry) composed of independent verses. The analysis proves that the poetic elements such as weight, rhyme, radif pay special attention to the interchange of verses of the great poet in the editing of poems, which serve to ensure the compositional integrity of such poems. While the author explains that the artistic perfection of the ghazal content has been scientifically refined, it is argued that the independent meaning of the bytes (a two-line part of ghazals) in the scattered ghazals is of relative importance. It is pointed out that the semantic independence in them is also reflected in the division of ghazal verses into certain groups. Traditionally, the use of the poet's nickname in praise is an important poetic event that Alisher Navoi noticed during the editing process. In this sense, it is based on the fact that the great poet perfected the form and content of the poem in the edit.